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In response to visitor demand, this chronology has been compiled by Paul Bentley to record the story of the Dennis Wolanski Library of the Performing Arts and associated projects within the context of the Sydney Opera House story, theatrical associations with the Bennelong Point site, Jørn Utzon’s involvement with the House and changes to the building. It draws on and updates Philip Drew’s extensive chronology Utzon and the Sydney Opera House and a number of other sources. See also Sydney Opera House: an annotated list of sources

2009
Mar 21	Jonathan Dart reports in the Sydney Morning Herald that the NSW Government has agreed to fund the "$1 billion project to bring the Sydney Opera House in line with its designer's vision." He says although the deal has yet to be signed by the Opera House board, Treasury officials indicated two weeks ago that the Government was willing to provide the money needed for the restoration. Restoration plans, he says, include dropping the Opera Theatre floor 18 metres in a bid to increase performing space and seating capacity and expand the orchestra pit. Plans also include construction of new wings, installation of a new air-conditioning system and provision of disabled access. However, a spokesman for the Premier, Nathan Rees, said Government plans are only an in-principle agreement. "It is certainly not a done deal." The Daily Telegraph reports that the issue was before the budget committee and the State Government expected to draft a formal approach to the Federal Government to share the cost.,
Mar 23	The Sydney Morning Herald reports that the Prime Minister Kevin Rudd has killed off the idea of Federal Government support. Opera House sources, it says, confirmed that that they had no idea the Government proposed to announce plans for the renovation and they thought making the plan public had backfired because it did not allow sufficient time to properly consult Mr Rudd.
Mar 24	The Sydney Morning Herald, in its leader column, criticises the NSW Government over its negotiations with the Federal Government. Despite the lack of publicly available plans and details, it says "a way must be be found to proceed with these renovations, even if it means reviving the Opera House lottery, the clever device that funded it in the first place." Chief Executive Richard Evans, in a news item in the same edition, says that the House is in such disrepair it could be forced to close show if it doesn't eceive the renovation funds.
Mar 25	Jørn Utzon State Memorial Concert held in the Sydney Opera House Concert Hall from 11 am. Broadcast on ABC radio and television, the program included David Page dancing Black Mist, Lorina Gore singing the aria Between Earth and Sky from Alan John's The Eighth Wonder, The presto movement from Sinfonia in B minor (CPE Bach), played by the Sydney Symphony Orchestra, Ursula Yovich singing Somewhere Over the Rainbow, Neil Finn saying Don't Dream It's Over, Paul Lewis and the SSO performing the Largo from Beethoven's Piano Concerto No 1 in C, Op 15, Nicole Youl and the Opera Australia Chorus since the Easter Hymn from Mascagni's Cavalleria Rusticana, and David Drury at the organ playing the Prelunde from JS Bach's Prelude and Fugue in G, BWV541.
	Speakers included SOH chief executive Richard Evans and chairman Kim Williams, Australian Ballet Artistic Director David McAllister, John Bell reading a tribute by David Malouf, the Federal Minister for the Arts, Peter Garrett, Cate Blanchett reciting Fear No More the Heat of the Sun from Cymberline, NSW Premier Nathan Rees, Lorna Marshall (whose mother had worked on the project as a computer operator with Ove Arup & Partners), Architect Richard Johnson, and Jan and Lin Utzon, whose tribute was simple and eloquent.
	David Malouf's in his tribute, How an Angel at Bennelong Point Gave Sydney its Spirit, published in the Sydney Morning Herald, reflected on Utzon's architectural achievement and impact on the city. "When Utzon's necessary angel alighted at Bennelong Point, the whole inner city shifted its ground. Circular Quay, The Rocks, Woolloomooloo and Walsh Bay took on a new existence. Macquarie Street Found a goal, come what was always meant to be, a grand boulevard running from Hyde Park to the ware. And the lightness, the exuberance and fantasy the building embodies and so powerfully spoke up for, provided a new vision of what a water city - and specifically this city, all light and vertical light and air - might aspire to be: a playground of the spirit, a model of how the useful and necessary may also, within the rules become pure play."
	David Malouf's final sentences fittingly summed up the mood of the occasion: "Like all true works of art, Utzon's great house and explosive sculptural ensemble was a gift. Our role as the receivers of its is to honour the gift with our affectionate gratitude, and be taking it in to our lives and using it as it was designed to be used and passing it on". The historical myths perpetuated by the speechwriters of politicians and chairmen, the lack of published plans for the renovations awaiting new funds, and the irony of a ceremony for Jørn Utzon in Peter Hall's hall were stories for another day.
Mar 26	Jan Utzon, interviewed in the the Sydney Morning Herald on the day of the memorial concert, says "Plans to bring the Opera Theatre to international standards now lie in a drawer." Nathan Rees and Peter Garrett would not make any further commitments, but Richard Evans expressed the view that "the wonderful plans Jørn developed with Jan would be build one day".
Mar 28	*David Marr. in Snatched from the Jaws of Victory, details political and bureaucratic machinations* to gain Federal Government support for refurbishments. Bob Carr said that he initially tested prospects "with a resigned sense that it wasn't going to happen" and still has doubts that the overhaul is the way to go. Former federal minister, Helen Coonan, is reported as saying that she had hoped to announce Canberra's support for the project when the building was given World Heritage listing in mid-2007, but 'there were doubts that NSW would come to the party. Instead John Howard indicated support for the refurbishment would form of the Liberal Party's arts policy for the election in 2008, but in the end the government released no arts policy. Prime Minister Rudd has flagged his scepticism about the proposal. But, Marr concludes, "there's a kind of bleak confidence at Bennelong Point" that in due course the Federal-State partnership will eventuate.
Jul 10	Sir Edward Downes CBE (17 June 1924 – 10 July 2009), who conducted the first public performance in the Opera Theatre (Australian Opera’s production of War and Peace, September 28) dies with his wife in an assisted suicide clinic in Switzerland. According to a statement issued his children, Downes was able to go on living with his deafness and blindness, he did not want to do so after his wife was diagnosed with terminal cancer.
Aug 13	Elizabeth Farrelly is critical of the "latest meddling with the Opera House" in Babylonian Fantasy Land Emerges from Reservoir (SMH). "The best things are always ruined," she says.. "Often we start with something wonderful then, with enormous care and expense, wreck it. "You recall that squat little no-neck smokers' shelter they clagged onto its western flank a couple of years back? It contradicts the very idea of a building whose entire point - shells above, folded plane below - is to prove columns unnecessary. Now the no-neck has metastasised, providing a cosmetic armature for a row of airport-style serveries in the new strung-together foyer. The high point is the liftwell, which offers, at least, some real off-form concrete. Otherwise, all is blond on blond; half-round timber battens stuck on cheap white plasterboard like a bad copy of some dullsville Copenhagen furniture showroom. Come back Peter Hall. All is forgiven. "It comes heavy-blessed, of course, by Utzon himself, and designed by Utzon-fils, Jan, with our very own Richard Johnson. While Jan Utzon has no particular distinction beyond the genetic (and a lovely smile), Johnson has delivered some terrific buildings (Governor Phillip Tower, the new Hilton). But also some dogs, including the Westpac building on Kent and the Commonwealth Bank's proposed ''Money Box'' on Martin Place, for which the Central Sydney Planning Committee last week broke its own height rules, spot-zoning for an extra 10 storeys."
Aug 19	Catherine Munro in Pipe Dreams and Passion (Sydney Morning Herald) reports problems with the Sydney Opera House organ. "The king of Bennelong has been neglected lately. In June the atmosphere in the concert hall became too dry and [organist David] Drury was forced to cancel his performance for fear of malfunction. Organ fans arrived for the daytime recital only to be turned alway. "We have never had to cancel a concert before," Drury said. "The situation has been rectified with humidifiers, says the chief executive, Richard Evans. "It would be true to say that there's a renewed interest in how we maintain the organ...If you are going to have an instrument like this, you have to look after it."
Sep 10	Josephine Tovey (Filling in the Doughnuts to Give the Hall a Sweeter Sound) reports on the work of architect Larry Kierkegaard in developing proposals to improve the acoustics of the Concert Hall, subject to Government funding. [SMH].
Oct 07	Malcolm Leslie Challenger (1917-2009) dies four days before his ninety-second birthday. Born on 11 October 1917, Mr Challenger was among the first group of ten people to be employed under the first General Manager, Stuart Bacon, at the Trust's offices in Bridge Street, Sydney, before the administration moved to Bennelong Point to prepare the Opera House opening. He served in a managerial role, as Secretary, until 1975..
Oct 22	Lyle Frances Harris (1914-2009) dies three weeks before her ninety-fifth birthday. Mrs Harris was also among the first group of ten people to be employed under Stuart Bacon at Bridge Street. Her husband was the late Sydney journalist, music and drama critic Frank Harris. She joined the staff of the Dennis Wolanski Library in the mid-1970s and, on her retirement, continued to work as a volunteer in the library until it was closed in 1997.An avid reader and lover of the arts, she lived the last years of her life on a diet of Shostakovich.
Nov 17	Elizabeth Farrelly, in Still Waiting for That Moment, Or Did Utzon Have the Last Laugh After All, comments on $38 million refurbishment of western foyer and installation of two new escalators leading from the main box office level to the concert hall and opera theatre and a public lift. "The result is that the Sydney Opera House is an undeniably glorious object, the internal experience of which is about as transcendental as speech day in the school hall...The ongoing trickle of opera-house tinkerings -toilets, colonnade, foyers, access - as graciously undertaken by Utzon pere et fils can never seen as anything but trivial. Some parts, like the western foyers and the Utzon Room, are quite nicely done, in a sensible shoes sort of way. Some, like the colonnade, are much less convincing than their rhetoric (in this case shading the glass, reducing flare and sustaining the visual solidity of the "Mayan" platform, even while it is perforated. [SMH]
Nov 18	The Sydney Morning Herald, in is leader The Opera House is Worth a Facelift, applauds recent work, including the provision of access for the disabled. It calls for the proposed overhaul of the Opera Theatre to proceed, supported by both State and Federal funding and the proceeds of a lottery..
Nov 18	Adam Fulton reports on the new refurbishment and the appointment of Louise Sauvage as "accessibility ambassador" in Opera House Takes Next Step for Those Less Mobile. [SMH]
Nov 18	Jan Utzon, in Even Icons Have to Move with the Times, comments on "the most improvements since my father was reengaged by the NSW Government...The changes to the western foyers have also fully exploited the setting, transforming the space into a light and attractive area that is better connected to the stunning surroundings...There will always be a small group which believes certain buildings should remain frozen in time. The reality is that buildings evolve." [SMH]
Nov 25	Sean Nichols, in Utzon's Son Signs Up for September 11 Conspiracy Theory, reports an interview by American architect Richard Gage on YouTube in which Jan Utzon endorses the call by Architects and Engineers for 9/11 Truth for an inquiry into the collapse of the three buildings. "I have an inborn sense [that] that what is coming out in the media is slightly, or to a large extent, a distorted version of what actually happened."
Dec 8	Brian Robins and Joyce Morgan report that talks about an overhaul of the Opera Theatre between the federal and state governments had stalled. It also reports advice from the NSW Auditor-General, Peter Achterstraat, that any work on mitigating an increasing number of technical failures would be a short-term solution only.l


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The Sydney Opera House Story: 2009